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Writing Advice

The Dreaded Middle: Pushing through your book’s midpoint.

Ah, the dreaded middle. Every writer knows it well. It’s that sinking feeling you get when you hit the midpoint of your book and everything suddenly feels impossible. When the excitement that propelled you through the beginning has vanished and the end feels like a distant dream.

Take heart. At least you are not alone. If the start of a novel is a love affair, and the end is a victory march, then the middle is the grind—the part where the honeymoon is over, and it’s time to dig in and do whatever you can to stay on track. Plus, I have some great news for you. As part of my book writing guide, this article will show you that the middle doesn’t have to be a wasteland of wandering plotlines and waning momentum! It could be an opportunity to raise the stakes and flesh out your characters.

1. Raise the Stakes

By the time you hit the middle of your book, your readers should know your characters and the world they inhabit well enough to be lulled into a false sense of security. Now is the time to shake things up. Think of the middle as the place where the real stuff happens — the point in your novel where the characters are forced to confront the things they’ve been avoiding. It’s where the pressure builds.

If the middle of your manuscript feels slow, the chances are that the stakes have not been raised high enough. Try throwing a wrench in your protagonist’s plans. You could introduce a new obstacle, complication, or revelation that makes their goals harder to achieve. The key is tension—keep the tension high, and the middle won’t feel like a lull.

2. Revisit Your Characters’ Motivations

One common reason the middle sags is that characters begin to drift aimlessly. Their motivations from the beginning may no longer be enough to carry them through the plot. This is the perfect time to dig deeper into your characters. Ask yourself, What do they really want? And more importantly, Why do they want it?

If you can find ways to evolve your characters’ desires, and fears, and resolve their internal conflicts, the middle becomes weighted. It is no longer just filler. Readers love watching characters struggle—not just with external forces but with themselves. Let them stumble, fall, and question everything they thought they knew.

3. Embrace Subplots

The middle of your book is a great place to weave in subplots, enriching the narrative and keeping things lively. Subplots allow for layers and depth. They offer readers a break from the intensity of the main storyline while still adding to the overall tension.

Maybe a secondary character has a goal that conflicts with your protagonist’s. Perhaps there’s a relationship subplot that’s heating up (or cooling down). Just make sure your subplots tie back into the main story arc, providing new perspectives or challenges that feed into the protagonist’s journey.

4. Pacing: Speed Up and Slow Down

Pacing is crucial in the dreaded middle of a novel. A common pitfall is to let things drag, with too much focus on exposition or minor events, but unfortunately, the opposite can also be true. If you cram in too much action without giving readers a breather, it can lead to burnout.

A good rule of thumb is to alternate between fast and slow. After an action-packed scene, give your characters a moment to reflect or plan their next move. This rhythm keeps the story moving without overwhelming the reader or letting the energy fizzle out.

5. Remember the Endgame

One trick for navigating the middle is to keep your eyes on the prize: the ending. The dreaded middle doesn’t exist in isolation; it’s a bridge between the beginning and the end. Ask yourself questions like: How does this part of the story set up the final act? And what groundwork can I lay now that will pay off later?

Sometimes the middle can feel disconnected because it’s not clearly linked to the ending. Every scene should serve a purpose, whether it’s to develop a character, increase the tension, or advance the plot.

6. Take a Break

If you’ve tried everything and nothing has worked, it might be time to take a step back. Give yourself permission to pause, breathe, and recharge before you return to your manuscript. ‘Writer’s block‘ is often a sign that something isn’t working, and sometimes you need distance to see the bigger picture.

When you come back to your story, try to do so with fresh eyes. You might find that what seemed like an insurmountable hurdle in the middle is actually an opportunity to push your story in an exciting new direction.

In conclusion

The dreaded middle often feels like a test of your writing endurance but it is also often where the heart of your story lies. It’s where characters are forged, conflicts escalate, and the real magic happens. Embrace the mess, trust the process, and keep going. The end is closer than you think.

Happy writing!

Why does the middle of my book feel like it’s dragging?

The middle feels slow because the initial excitement of setting up your story has faded and the tension has ebbed. Make sure you have an evolving plot. If everything feels too stable, your story will stall. Try introducing a new challenge or deepening your characters’ inner conflicts to reinvigorate the narrative.

How can I avoid adding filler in the middle of my book?

To avoid filler, make sure that every scene serves a purpose. Each chapter should advance the plot, reveal something important about a character, or raise the stakes in some way. If in doubt, ask yourself: Does this scene move the story forward? If it doesn’t, it might need to be reworked or cut.

What if I can’t figure out how to move forward?

It’s completely normal to feel stuck in the middle of your book. Take a break and revisit your outline, if you have one. Sometimes, taking a step back can provide clarity. Try brainstorming new twists or asking “What’s the worst thing that could happen to my character right now?” If all else fails, write out of order—skip to a scene that excites you, and come back to the middle later with fresh energy.